Thursday 26 June 2008

Radiohead, Victoria Park, London

The last time Radiohead set up shop in Victoria Park and prayed for good weather was back in 2000. Then, they were just weeks away from releasing Kid A, the album that saw them cast aside their position as Britain's greatest rock band in favour of willful and inconsistent experimentation.

Now, however, the band are stuck between their trail-blazing present and an inconvenient reminder of past glories. In Rainbows, released last October, is their most accessible record since the seminal OK Computer, but it's a Best Of package that's nestling in the upper echelons of the album charts.












In Rainbows represents the backbone of their set for this huge show. Kicking off with 15 Steps, they dive into the warmth and tenderness of Nude, which quickly bleeds into the aggressive antagonism of Bodysnatchers. It seems the emotion that the album rejoices in has had a marked effect on Thom Yorke. "I love you too, darling," he tells one vocal fan, before leading fans in a chant of "Free Tibet," and adopting a comedy cockney accent in his intro to "bitchin' number" Bangers and Mash.

But while Yorke's barriers may be down tonight, Radiohead have never felt so distant. The sound is perfect, and each layer of their intricately crafted songs shimmers. But the setlist doesn't fit the vastness of this gig. Videotape, which sees Yorke swapping from guitar to piano, How to Disappear Completely, and Climbing Up the Walls are songs to have a one-to-one relationship with, not to be shared with 20,000 strangers.

When Just, from breakthrough album The Bends, comes along, people react to it with the fevered desperation of a dog that's been locked in a kennel for a week, howling, jumping and dancing with glee. Kid A's The National Anthem enlivens the downbeat mood, its spooky synths and club beats working in tandem with a dazzling lightshow.

Yorke jolts and shakes violently, feeling his way through the truculent sound of The Gloaming, every inch the unquiet spirit his voice suggests. Colin Greenwood's nonchalant bass grinds next to his brother's vengeful guitar in the superb There There. But Jonny Greenwood is a still, bashful presence as he weaves delicate acoustic guitar through the translucent longing of All I Need, his chest turned away from the crowd and into Yorke's shoulder.

Pyramid Song and Planet Telex at last give the crowd a chance to sing. Yorke encourages them to join in, claiming that he always forgets the words, but following a sublime rendition of The Tourist, Radiohead disappear, as belligerent but beautiful as ever.


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Tuesday 10 June 2008

Rep: Lindsay Lohan Not Sick

Lindsay Lohan has denied being admitted to a Los Angeles hospital on Thursday (May 29) after becoming ill on a flight from New York, with her rep stating she was visiting a friend.

TMZ reports that Lohan was felling discomfort in her chest during the flight and was taken to hospital where she spent over two hours in the emergency room.

However, Lohan's rep tells Usmagazine that even though the actress was spotted leaving Century City Hospital with her gal pal Samantha Ronson, there was no health issue.

"There is no drama," her rep explained.  "Lindsay and Samantha went to the hospital last night to visit a sick friend.  Lindsay is fine.  She is currently working and on set of her new film Labor Pains."

NEXT: No Twins Yet For Angelina Jolie

Photo courtesy of Universal Pictures.



Wednesday 4 June 2008

Singer-songwriter Jewel Kilcher releases her first country album

"Perfectly Clear," singer-songwriter Jewel Kilcher's move into country music won't seem as surprising as that of, say, Bon Jovi. After all, she grew up in rural Alaska, she's an avid horsewoman with a long-running relationship with a rodeo star and early hits "Who Will Save Your Soul?" and "You Were Meant for Me" have more in common with recent country hits than with current pop music.

Jewel takes the reassignment seriously. She co-produced the album with John Rich of Big & Rich, wrote or co-wrote all but one of the 11 tracks, and will tour this summer with country star Brad Paisley.

Country fans have already welcomed her, too: Her first single, "Stronger Woman," shot into the top 15 of the country radio charts.

The strength of "Perfectly Clear," as with many contemporary country singers, comes from Jewel singing her own words. The best songs - "I Do," "Everything Reminds Me of You," "Til It Feels Like Cheating" - have a distinct and believable point of view, and the arrangements merge modern Nashville gloss with an acoustic base that works with Jewel's idiosyncratic, breathy voice. Also, her typical lyrical slant - taking a positive yet earthy look at everyday life - fits country music as snugly as two Lego blocks locking together.

Nothing on "Perfectly Clear" will separate Jewel from the pack as markedly as her first pop singles a dozen years ago. But her new album suggests her shift to country music could benefit both singer and genre.

Check this out: On "Anything But You," Jewel sings a barroom weeper over a crying steel guitar that updates classic country music more effectively than most current country singers could. It should erase any doubt whether she belongs in Nashville.

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"Perfectly Clear"

Jewel (Valory/Big Machine)










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